The cut
- Pre-show chat and after-show talk
- False starts and repeats
- Long pauses, kept where they work
- Chapters, named for search
- Nothing cut until you approve
studiotake pro
The production desk for podcast studios. Camera cards in, published episodes out, every time you shoot. Your editor keeps DaVinci Resolve.
Become a design partnerFrom shoot to schedule.
On the day, the shoot plan comes from the show's own kit: which cameras, which mics, who sits where. Nothing to remember.
Cards in. Plug in each card. Every file is copied to your drive and checked; the card itself is never written to.
Within the hour, every camera and remote guest is lined up to the sound, transcribed, with each speaker named.
You approve the cut on the transcript: pre-show chat, false starts and repeats proposed, each one yours to keep or reject. You press the first button.
Then Resolve. The timeline opens in DaVinci Resolve with the cuts, the camera angles and the markers. The colour and the final render stay with your editor. The second button.
On their dates, the episode, the shorts and the posts go out to YouTube, TikTok, Instagram and Facebook. The third button.
Your drives. Your archive.
Recordings, transcripts and exports stay on your drives; a finished video scheduled to TikTok, Instagram or Facebook waits on our server until it is posted. Everything the show has ever said is searchable on the Mac, ready for supercuts, series and launch packs. Otherwise our server, in the EU, keeps only the account, the licence and the links to your channels.
Done every episode.
The mastering
- Every voice to the show's loudness
- Background noise, knocks and sirens out
- The music ducked under speech
- The MP3 for the podcast feed
The shorts
- Up to one for every four minutes; you keep the ones you want
- Each opens on its hook
- Each works on its own, for viewers new to the show
- Use them to bring viewers to the episode, start comments or sell a course
- Captions in the show's type
- A stacked layout for online guests
The covers
- Cover families in each show's brand
- Filled from what was said
- Neighbours on the grid never alike
The titles and posts
- Per platform, in the show's voice
- Descriptions with the chapters
- Scheduled on the calendar
- YouTube
- TikTok
- LinkedInSoon
One show: 200+ shorts.
Our own show, Matemática del Alma, a Spanish-language podcast on dreams, is recorded every week on three cameras. Every episode goes through Studiotake, from the cards to the channel, with up to two dozen shorts an episode, each with its own cover.
Priced by the hour.
Pro
€49 a month + VAT
12 episode-hours a month
1 show brand · 1 seat
For one producer, one or two shows
Studio
€149 a month + VAT
40 episode-hours a month
5 show brands · 3 seats
For several shows a week
Agency
€399 a month + VAT
120 episode-hours a month
25 client brands, kept apart · 10 seats
For producing for clients
A year costs ten months. A busy month? Add 10 episode-hours for €35, valid 12 months, never billed automatically. One person and one show? Creator is €19 a month. Working with us closely? Become a design partner.
Questions
Your recordings, transcripts, cut lists and exports stay on your Mac or your drives, with two exceptions. A finished video you schedule for TikTok, Instagram or Facebook waits on our server, in the EU, until it is posted, then it is deleted; YouTube uploads go straight from the app. To propose the cut and write the posts, transcript excerpts pass through our server to the AI provider: our server does not store them, and the provider keeps requests for up to 30 days and does not train on them. Our server also keeps the account, the licence and the links to your channels.
No. The free edition opens the timeline and runs the build script. Studio adds only its own effects and codecs; Studiotake needs neither.
Yes. The timeline lands in Resolve as a normal project, with the cuts as markers and the angles on their tracks. The colour, the graphics and the final render stay with your editor.
Yes. Point it at the show's website and it picks up the logo, colours and type, or set them yourself. Every cover, caption and title card uses them.
Cards from Sony, Canon, Blackmagic and the rest, described once on the Kit screen, as long as the camera records MP4, MOV or MXF (H.264, H.265 or ProRes). Blackmagic RAW and AVCHD (MTS) files are not supported yet. WAVs from any recorder or interface.
Riverside and Zoom recordings are lined up with the room's sound, each guest on a track of their own.
YouTube: episodes, shorts, chapters and captions, and TikTok, Instagram and Facebook. The mastered MP3 is made for the podcast host you use; Studiotake does not host a podcast feed yet. All from the same calendar; Facebook and LinkedIn follow.
One hour of finished episode on the synced timeline, however many cameras and microphones recorded it. Copying cards, checking them and transcribing never count.
You press Connect, the platform's own consent page opens, and you approve Studiotake for your channel. The permission is kept encrypted on our server; the Mac only receives a short-lived token for each upload.
A Mac, Apple silicon or Intel, with DaVinci Resolve installed for the handoff.
Making a show?
Let's build it with you.
We write back within two working days to set up a call. Design partners, the launch list or a question.
- contact@studiotake.app
- Company
- Terranext SIA, Riga, Latvia